Selected Work

Bijoux explores organic rhythm in modern forms across bath towels, bath mats, shower curtains, and bathroom accessories.

Willa was inspired by grisaille murals and explores interpretation of fine art into bathroom products.

Textiles and hard goods developed for a bath collection. Sydney blends modern organic movement with mixed materials.

Inspired by layered canyon formations and wildflower blooms, Strata explores the harmony between geological structure and organic softness through painterly textures and an earthy, contemporary palette.

A beach towel collection built around prints and jacquards with digitally drawn elements — developed in-house during my time as a full-time designer for a major retailer. The prints draw from digital illustration work done in Procreate, where I built up motifs through layered brushwork to capture expressive color and a painterly coastal energy. That same visual language carried into the jacquard development, where the motifs were reinterpreted as woven structures.

Surface design patterns for apparel and home goods, blending organic movement with refined geometry through rich textures and a sophisticated, earthy palette.

A spring 2026 beach towel collection developed in-house for a major retailer. The collection spans both licensed artwork and original prints — I adapted licensed art into cohesive towel designs while also developing my own engineered and coordinating prints from scratch. The work ranged from bold engineered graphics and resort stripes to coordinating print suites, with attention to construction details like sculpted grounds and end treatments throughout.

Developed in-house for a full-time retail employer, this collection features original surface patterns applied to beach towels that hit stores in spring 2024. In addition to the artwork, I led the full product development process from concept through production.

A jacquard and print collection developed in-house during my time as a full-time designer for a major retailer, hitting stores in spring 2024. The prints were rooted in hand-painted watercolor motifs — botanical forms and geometric shapes I painted by hand before translating them into repeat patterns. From there, the work extended into jacquard development, where those same motifs were reinterpreted as woven structures. I handled the full arc of the project, from initial concept and hand-painted artwork through to production-ready files across both print and jacquard.